The work of the Hong Kong-based artist Trevor Yeung (born in Guangdong in 1988) aims to address interpersonal relationship and that between the artwork and its viewer, through the use of varied mediums, from natural objects (such as plants, fish, etc.) to photography and installation. Showcased by Blindspot Gallery at the Discoveries sector, his solo show “Garden Cruising: It's Not That Easy Being Green,” is composed of a selection of photographs from the series of Sleepy Bed (2010-present) and the most recent Enigma (2015). In the Enigma series, the artist intends to trigger the viewer's interaction with the artwork through the use of organic object, while the ongoing Sleepy Bed project plays on different levels of voyeurism, and the blurred boundary between intimacy and strangeness, privacy and public-ness. The project consists of photographing, as dawn breaks, men who share the bedroom with the artist at different hostels around the world, while they are still sound asleep. Through the act of photographing and later, the engravings of abstract forms on the photographs of these bodies, the artist seems to build a rather sensual and intimate relationship with the photographed, who are ironically outright strangers. Looking at the portraits of these men sleeping in bed, a private moment and matter captured by the artist's camera, the viewer is somewhat transformed into a voyeur and the artist's accomplice, intruding into a stranger's privacy.
香港藝術家楊沛鏗（1988年出生於廣
東）的創作旨在透過自然生態元素（如植
物、魚）、攝影、裝置等不同媒介，訴諸人
與人之間，以及觀者與藝術作品之間的關係
等議題。刺點畫廊於“藝術探新”展出楊
沛鏗個展“遊園：不太容易做綠色”，包括
《酣睡床》（2011至今）、最近期的《扭
擰》（2015）等系列攝影作品。在《扭擰》
系列中，藝術家透過有機物的使用，意圖引
發觀者和作品的互動；持續發展系列《酣睡
床》則玩弄不同層次的偷窺，以及親密與陌
生、隱私與公開之間的模糊界限。藝術家於
拂曉時刻拍攝了在世界各地旅行時，青年旅
舍那些與他同房、仍在熟睡的男子照片。
透過拍攝的行為，以及在這些身體的相片上
刻蝕出幾何抽象的圖形，藝術家似乎與被拍
攝者建立了一種親密感性的關係；而諷刺的
是，他們根本就是陌生人。觀看這些在床上
酣睡的男人--藝術家用相機所捕捉到的一個屬
於個人私密的時刻和行為--觀者多少也成了偷
窺者，以及藝術家侵犯陌生人隱私的共謀。
