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Candice Lin

Candice Lin
Candice Lin, "La Charada China (Tobacco Version)", 2019, cement with casein paint, welded steel table frame, tobacco, ceramics, distillation system (distilling a tincture of tobacco, sugar, tea, poppy and piss), poppy pod putty, sugarcane, white sugar, cacao, sage, ackee, oak gall, Anadenanthera, dong quai, California clay, Dominican Republic clay, dried indigo, glass slides, bottles, drawings, rubber, metal parts, bucket, pumps, tubing, tile, wood,installation dimensions variable.
Photo Ian Byers-Gamber/Courtesy Candice Lin and François Ghebaly.

La Charada China (Tobacco Version) is a sort of portrait. It takes the form of the silhouette of a man cut out of tobacco leaves, which is laid out on a table. Various objects are arranged around him: cacao beans, ceramics, Chinese herbs, opium poppies and a teapot. A tincture of sugar, tea, tobacco and urine etc boils away in a still situated at the level of the abdomen. With her “Chinese Charade”, the 40-year-old American artist and recent winner of the Joan Mitchell Foundation Award continues to bring colonial violence to light, evoking here the memory of those people of Asian origin who were forced to come and work on plantations in the Caribbean and South America.

1979 Born in Concord (Massachusetts)

2001 B.A. in Semiotics & B.A. in Visual Arts, Brown University, Providence (Rhode Island)

2004 M.F.A. in New Genres, San Francisco Art Institute (California)

2017-2018 Solo show “A Hard White Body“, Bétonsalon, Paris (France), Reva and David Logan Center for the Arts, University of Chicago (Illinois), Portikus, Frankfurt (Germany)

2019 Joan Mitchell Foundation Award

Lives and works in Los Angeles (California)

Candice Lin, "La Charada China (Tobacco Version)" (detail), 2019.
Candice Lin, "La Charada China (Tobacco Version)" (detail), 2019.
Photo Ian Byers-Gamber/Courtesy Candice Lin and François Ghebaly.
Candice Lin, "La Charada China (Tobacco Version)" (detail), 2019.
Candice Lin, "La Charada China (Tobacco Version)" (detail), 2019.
Photo Ian Byers-Gamber/Courtesy Candice Lin and François Ghebaly.

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