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Richard Pettibone

Richard Pettibone
Richard Pettibone, "Roy Lichtenstein, Fastest Gun", 1963-1965, acrylic and silkscreen on canvas, unique, 5.91 x 8.27 inches.
Photo Aurelien Mole/Richard Pettibone/Courtesy Galerie Mitterrand. .

For its first participation at the fair, Galerie Mitterrand is giving pride of place to one of the pioneers of appropriation art, the American artist Richard Pettibone. The ensemble of historic works on show, produced between 1964 and 1975, includes small-format silkscreens (around ten centimetres square) that duplicate the famous Pop Art works of Andy Warhol and Roy Lichtenstein. Each is a unique edition mounted on a stretcher fashioned by Pettibone himself! However if the artist plays with the idea of ‘cloning’, his works also constitute an archive of the art of his times in miniature. They can be seen as “copies of copies”, which consecrate Warhol’s kitsch wallpapers (Flowers, 1968) and cult canned foods (Heinz Tomato Soup, 1966), as well as Lichtenstein’s comic strip-inspired iconography (Fastest Gun, 1965) and its tribute to mainstream culture in the Sixties.

Richard Pettibone, "Andy Warhol, Flowers", 1964-1968, acrylic and silkscreen ink on canvas, unique,
6.30 x 6.30 inches.
Richard Pettibone, "Andy Warhol, Flowers", 1964-1968, acrylic and silkscreen ink on canvas, unique,
6.30 x 6.30 inches.
Photo Julien Gremaud/Richard Pettibone/Courtesy Galerie Mitterrand. .
Richard Pettibone, "Heinz Tomato Soup", 1966, acrylic and silkscreen ink on canvas, unique, 4.33 x 5.12 inches.
Richard Pettibone, "Heinz Tomato Soup", 1966, acrylic and silkscreen ink on canvas, unique, 4.33 x 5.12 inches.
Photo Aurelien Mole/Richard Pettibone/Courtesy Galerie Mitterrand. .

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Article issu de l'édition Hors-série du 05 décembre 2019